FOR Yael Melamede, the question of whether to make a film about her mother lingered for years.
The subject - her mother, Ada Karmi-Melamede, one of Israel’s most influential architects - felt both obvious and uncertain.
And Yael mused on how to tell the story of someone she knew so intimately, as well as how would she know whether what feels extraordinary to her would resonate beyond the boundaries of family.
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